New dance performance explores distress of dementia

Summary

A new performance by Flemish dancer and choreographer Ugo Dehaes uses unusual movements and complex patterns to represent the shift between lucidity and confusion in the mind of someone with dementia

Movements of the mind

Dance is often about the body, but how do you dance about the mind? This is the challenge Flemish dancer and choreographer Ugo Dehaes set himself when he decided to create DMNT, a performance about dementia.

He was inspired by seeing someone he loved slowly lose their faculties, and the distress this caused, both to that individual and his family. “But rather than imitating people affected by dementia, we tried to find a physical translation of what goes on in their minds,” he explains.

Dehaes and two other dancers use unusual movements and complex patterns to represent the shift between lucidity and confusion in the mind of someone with dementia. “Many movements in DMNT are based on old memories of the dancers,” he adds. “They tried to remember how they moved as kids, what physical memories are still present in their bodies after all those years.”

As the performance progresses, movements are lost or the dance comes to a standstill, before resuming with a feeling close to violence. This represents the brain’s effort to make sense of what is happening. “With our own bodies, which are quite young, we try to experience how it feels to lose control over the body,” Dehaes explains.

Meanwhile a fragment of a glider’s wing slowly revolves above the dancers’ heads, symbolising the ungraspable disease that might await any of us.

Yet as well as dealing with the distress of dementia, Dehaes hopes the performance captures something beautiful. “As dancers, we are very conscious of our bodies and all of their movements. In DMNT we try to forget what we know and start off from a ‘naive’ body. This results in beautiful but unintended movements, based on distant memories.”
12 November to 28 December across Flanders

Flemish dance

Flemish choreographers are considered some of the best in the world, and the region is known for the number of top choreographers based here. Contemporary dance has been flourishing in Flanders since the 1980s, when a handful of choreographers known as the "Flemish wave" drew international attention with radically innovative works.
Names - Pioneering Flemish dance choreographers include Anne Teresa De Keersmaeker, Alain Platel, Sidi Larbi Cherkaoui, Wim Vandekeybus and Jan Fabre.
Funding - Dance companies Rosas, Ultima Vez, Les Ballets C de la B and the Royal Ballet receive the lion’s share of available government funding.
School - Founded by De Keersmaeker and based in Brussels, P.A.R.T.S. became the first professional school in Belgium focused on contemporary dance.
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Wim Vandekeybus stuns the dance world with his premiere production What the Body Does Not Remember

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Performing Arts Decree is signed, enabling dance companies to receive structural government funding

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P.A.R.T.S. founded