How do you think citizens
living in Flanders centuries
ago were introduced to the
finest of paintings? How did they get
acquainted with the monumental
frescoes of Raphael in the Vatican,
Bruegel’s series of The Seven Virtues
and The Seven Deadly Sins, or Rogier
van der Weyden’s “Descent from
the Cross”, hanging somewhere in a
private castle owned by Philip II of
Spain?