But this year’s Gedichtendag is even more special for the inhabitants of Antwerp; they are getting a new city poet, Bernard Dewulf.
“It’s very exciting,” says Dewulf (pictured). “There have already been five great poets who have held this position.” In 2003, author Tom Lanoye became Antwerp’s first city poet, followed by Ramsey Nasr, Bart Moeyaert, Joke van Leeuwen and Peter Holvoet-Hanssen.
Dewulf was chosen by city office Antwerpen Boekenstad (Antwerp City of Books) to fill this revered position. “I feel that it’s my duty to the city and to the people who have chosen me to do a good job,” says Dewulf. “But I will nevertheless be doing it my way.”
The long-time poet, essayist and columnist will write at least 12 poems about the little metropolis by the Scheldt during the course of 24 months, focusing not only on the city’s grandeur but also on the intimate details that would otherwise vanish into thin air.
“I’m especially interested in footpaths,” the 51-year-old says, “their function and the hundreds of people who walk over them every day. But I won’t lie; there is a certain amount of pressure, as these poems will be read by a vast number of people and naturally have to be accessible to a large audience.”
Born and raised in Brussels, Dewulf has lived in Antwerp for 22 years. “I’ve raised a family here so this is the city where I’ve put down roots. I’ve already written a lot about Antwerp in other publications, so you could say that this place has become a part of my soul.”
One of the publications is Kleine dagen (Small Days), a novella made up of short anecdotes in which he describes his own day-to-day life, his marriage and his children, who are growing up far too quickly. The combination of the book’s poignant observations and refreshingly honest yet intimate style landed Dewulf the prestigious Libris Literary Prize in 2010 and the Inktaap, a literary prize awarded by young people, in 2011.
Writing about a city is naturally something very different from that, or from writing about art (Naderingen, a collection of essays on painting) or from penning a successful column for newspaper De Morgen, which he did until 2009. In a city, there are a vast number of places, quirks and issues begging your attention, not to mention those that have already been covered by his predecessors.
“Every city has urban traits, so the trick is focusing on what makes this particular place so unique,” Dewulf explains. “And I don’t mean by referring to particular monuments or such but by incorporating the atmosphere and the people.”
Dewulf ’s contemplative yet heartfelt style is appreciated by readers in whatever form it’s published. “I love variety, but I do believe that the essence of your writing, your own particular style or tone, is the only constant.”
by Dieter Ceustermans
• Contact
The second novel by
VRT news anchor
Dieter Ceustermans
was inspired by his
years as a journalist
on the evening news
analysis programme Terzake. In Breaking
News, Arthur Reiziger is an acclaimed
war reporter but, while on a foreign
mission, things go horribly wrong, and
his cameraman is shot. Plagued by guilt
and resentment, Reiziger falls into a pit of
despair and starts to question everything
he once held dear: politics, ethics and the
influence of the media. An interesting,
albeit slightly moralising, novel written in
Ceustermans’ clear, no-nonsense style.
by Michiel Hendryckx • Lannoo
Turn-of-the-20th-century Flemish naturalist
author Cyriel Buysse wrote De vroolijke
tocht about his travels through France by
car in October of 1910. Precisely 100 years
later, Flemish author (and photographer)
Michiel Hendryckx took the same trip,
stopping at the same locations as his
predecessor to see what has changed. The
result is a beautiful new edition of Buysse’s
texts written in contemporary Dutch and
accompanied by some intriguing insights
by Hendryckx. De vroolijke tocht easily
illustrates why thousands of Flemings flock
to France every year.
by Bart Vercauteren • Houtekiet
Bart Vercauteren was nominated for
multiple prizes last year with his debut novel
Het graf van de voddenraper (The Grave of the
Ragman), and now this former therapist
is back with an acidic commentary on
the modern mental health-care system,
which appears to “care” less than it should.
When mental patient Liesbeth escapes
from Sint André’s psychiatric hospital,
caretaker Martin goes after her. He finds
her in an Italian police cell. On their way
back to Belgium, he wonders how this once
lucid woman was forced to such extreme
measures. Een ziel van glas is a thought-provoking
and brave novel but sadly also
very predictable.
by Marente De Moor • Querido
Dutch author Marente de Moor won last
year’s AKO literary prize, an award that
unites Flanders and the Netherlands as it’s
given annually to the best novel written in
Dutch. The protagonist in this intoxicating
and brooding book is a young girl called
Janna who is sent to an estate near Aken
where she is taught fencing by an old friend
of her father. At the brink of the Second
World War, she falls madly in love with
Herr Egon von Bötticher and slowly starts
to unravel her mentor’s past, leading to a
chilling conclusion. It’s easy to see how this
beautifully constructed prose and intricate
plot won the hearts of the AKO jury.