Q&A: English visual arts Master’s launched in Limburg

Which artists are involved in the new programme?
The first is the master studio in Object & Jewellery with David Huycke, an artist-researcher in his own right. The second is Peter De Cupere, who is starting a new fine arts studio, Open Lab, based around the senses – not only seeing and hearing, but also touch, smell and taste. This is aimed at young artists who want to leave the traditional confines of painting or sculpture.

The third master studio is in graphic design-typography, called Typo & Type to Read. This is built around Ann Bessemans, whose research explores how hard or easy it is to read certain typefaces. These people already have an international network; they teach, organise workshops and take part in exhibitions all over the world.

How closely will students work with these artists?
Each student chooses a track and benefits from the expertise, teaching and personal contact with one of the artists. But of course the programme includes other teachers as well, and the size of our institution guarantees regular individual contact and feedback.

How many spots are there for students?
There is no quota, but we can’t accept everybody who applies. There is a very direct approach in the Master’s, sometimes one-on-one, so we cannot accept 20 or 25 people per studio.

Can Flemish students also enrol?
Yes, the programme is open to our own students who prefer to finish their degrees in English. And we hope that all local students will benefit from the presence and experience of the foreign students.

What types of careers might the programme lead to?
In the fine arts, we are preparing people to become artists, so the aim is to inspire them with the possibility of adding new context – smell, touch or taste – to their art. People can also look at teaching or research, maybe through a doctorate. With Object & Jewellery and graphic design, people can start professional careers or start their own businesses, or again become an artist in their own right.